Larry Sider and Mary Milton sit down for an in-depth discussion on all things sound in documentary.
Masteclass with Roger Chapman, one of the UK's leading documentary cinematographers, widely recognised for his strength as a classic observational cameraman, but also for his versatility in working across genre, including commercials and television dramas.
DocHouse talks to award-winning director Brian Hill about his experiences filming new doc Welcome To The World.
Perhaps the most renowned partnership in observational documentary filmmaking; editor Ollie Huddleston in conversation with Kim Longinotto.
Masterclass with Claire Ferguson, who has worked with directors across varied backgrounds, from Nick Broomfield's Aileen: Life and Death of a Serial Killer to first time director Adam Wakeling's Up In Smoke (2011) and Rupert Murray's The End of the Line (2009).
Masterclass with David Charap, who has edited docs directed by Marc Isaacs, amongst many others. He brings a unique approach to editing documentary having successfully moved between fiction and documentary during his extensive and varied career.
Post-screening Q&A with Michael Christoffersen as part of our one-day mini-fest RESISTENICA: Focus on Latin America.
There was a good helping of lively debate following the preview of Fredrik Gertten's tale of the corporate might of multinational Dole Food Company vs. an independent documentary filmmaker.
Find out what made director Mike Grigsby return to the lives of three young Texas soldiers forty years on from his critically acclaimed doc I Was A Soldier.
Emad Burnat & Guy Davidi joined us all the way from the West Bank to discuss their uniquely powerful film, 5 Broken Cameras.